Later on down the pipeline this equates to three texture sets and the ability to separate the parts for animation purposes for using the box and gargoyle independently. The gargoyle will be created as three meshes the gargoyle, a box top, and box bottom. Use box modeling to create a basemesh that we can export to Zbrush for sculpting. I began in 3ds Max but you can follow along in whatever modeling package you are comfortable using. If you currently do not use hotkeys, at first, it may slow your modeling down, but this won't last longer than a session or two in the program. The layout phase should go fast and use of hotkeys will greatly speed up your performance. My biggest recommendation during the initial modeling phase is to use hotkeys for the program you are using. Baking and Texturing in Substance Painter Some key components in the new pipeline are seen below, and this will be the outline for this tutorial 1.
PBR, or Photo-based Realistic Textures are paving the way to allow extremely accurate high detail textures to be baked into low polygon geometry. With this ability, a different pipeline is needed than many animators and high resolution render artists are used to. Realtime applications promote the ability to view materials, lighting, animations, all in real time, measured in frames per second. Game engines and realtime rendering are here now. The intention of this article is to reveal my process of modeling a high detail asset for use in Unreal Engine.
This tutorial uses the following: 3ds Max, Zbrush, Maya, Substance Painter, Unreal Engine ue4
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